BEACON
NEWS
- APRIL
12, 2007 -
Paramount Theatre hosts Preservation
Hall Jazz Band
By: RANDALL G. MIELKE
At the turn of the 20th century and
into the 1920s and 1930s, New Orleans jazz music was
considered by some to be the pop music of its day, according
to Benjamin Jaffe, creative director of Preservation
Hall and the Preservation Hall Jazz Band in New Orleans.
"Louis Armstrong," Jaffe said, "was
the Michael Jackson of the 1920s."
Interest in the New Orleans jazz sound,
kept alive by groups such as the Preservation Hall
Jazz Band, which will appear at the Paramount Theatre
on April 22, continues today.
"It has a wide appeal across racial
lines and across social lines," Jaffe said about the
sound. "The music was developed as dance music, as entertainment.
It has retained that quality all these years."
Preservation Hall, which is located
in the French Quarter in New Orleans, opened its doors
in 1961. The hall was created as a sanctuary, to protect
and honor New Orleans jazz, which had lost much of its
popularity to modern jazz and rock 'n' roll. Allan and
Sandra Jaffe, the hall's founders and Benjamin's parents,
wanted a place where New Orleans musicians could play
New Orleans jazz, a style, they believed, should not
disappear. The band and the Preservation Hall venue became
home to such important jazz musicians as Willie and Percy
Humphrey, Billie and Dee Dee Pierce, pianist Sweet Emma
Barrett, and many others.
The Preservation Hall Jazz Band derives
its name from Preservation Hall. The band has traveled
worldwide, spreading its mission to nurture and perpetuate
the art form of New Orleans jazz, music that embodies
a joyful, timeless spirit.
Like many other cultural institutions,
Preservation Hall and the touring Preservation Hall Jazz
Band were affected by the Hurricane Katrina catastrophe
in August 2005.
"Business in New Orleans has been so
slow," Jaffe said. "The hurricane made us take a hit
economically, although the hall itself was not damaged.
It is laborious and tedious to still talk about it, but
it is also laborious and tedious to live it.
"We continue to fight for culture and
our way of life everyday," he continued. "One benefit
we had before the hurricane was the brisk tourism trade.
It is like Las Vegas, it was the primary source of revenue."
The Preservation Hall has since reopened,
and the seven-member Preservation Hall Jazz Band, led
by trumpeter John Brunious, continues to tour, playing
about 200 dates each year.
"Most of the guys are between their
40s and 70s," said Jaffe, who played bass in the group
for 13 years, but has stopped touring with the band to
focus on hurricane relief efforts. "None of the first
generation members are alive anymore, but all of us have
a connection to the original band members. My father
was an original founding member. John Brunious' father
composed many of the songs we perform today."
The band's repertoire changes from venue
to venue.
"There is not one thing that determines
it," Jaffe said about the songs the band plays at each
performance. "Sometimes we will do songs from our last
recording. After the storm, we revisited some songs done
over the 45-year history of the band.
"The Paramount audience might hear songs
from 30 or 40 years ago that we have not played in years," he
continued. "One example is Louis Armstong's Do You Know
What It Means to Miss New Orleans. It is a sad, reflective
song, particularly now."
The band is also finishing a new CD,
tentatively titled Made in New Orleans.
"We began recording it prior to the
floods and just finished it recently," Jaffe said. "It
should be out in late April."
Jaffe is also putting together a project
that is more than just a recording.
"With Katrina, a lot of photos, memorabilia,
record albums and other items were lost," he said. "I
took it as a wake up call to capture what is left of
Preservation Hall history. I am working on a boxed set
-- memorabilia, photos. I found the first contract that
Mom signed with the city to play music as Preservation
Hall. I might include that."
As for the future of the Preservation
Hall Jazz Band, Jaffe sees it as a way to continue the
music of such New Orleans Jazz greats as Sweet Emma Barrett
and Percy Humphrey.
"We lost a lot of physical memories
in New Orleans," he said, "but we can bring back living
traditions."
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